{"id":1313,"date":"2023-04-02T14:31:03","date_gmt":"2023-04-02T12:31:03","guid":{"rendered":"https:\/\/www.evelyne-axell.info\/fra\/?p=1313"},"modified":"2023-04-02T14:31:04","modified_gmt":"2023-04-02T12:31:04","slug":"evelyne-axell-au-kunstraum-duccle","status":"publish","type":"post","link":"https:\/\/www.evelyne-axell.info\/fra\/2023\/04\/02\/evelyne-axell-au-kunstraum-duccle\/","title":{"rendered":"Evelyne Axell au Kunstraum d&rsquo;Uccle."},"content":{"rendered":"\n<p class=\"has-medium-font-size\">\u00ab\u00a0BORDERLINE, BETWEEN A LINE AND A BORDER\u00a0\u00bb, une exposition r\u00e9unissant des artistes autour de l&rsquo;abstraction \u00e9rotique.\u00a0<\/p>\n\n\n\n<p style=\"font-size:12px\">D<em>u 13 avril au 5 mai 2023.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?resize=800%2C1024&#038;ssl=1\" alt=\"Les Championnes\" class=\"wp-image-1320\" srcset=\"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?resize=800%2C1024&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?resize=313%2C400&amp;ssl=1 313w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?resize=117%2C150&amp;ssl=1 117w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?resize=768%2C983&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Evelyne-Axell-Les-Championnes-1965_002.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Championne droite et Championne gauche, 1965. <\/figcaption><\/figure>\n\n\n\n<p>\u00ab\u00a0<em> L&rsquo;histoire de l&rsquo;abstraction est intrins\u00e8quement li\u00e9e \u00e0 la libert\u00e9 d&rsquo;expression. Chaque g\u00e9n\u00e9ration d&rsquo;artistes se retrouve in\u00e9vitablement \u00e0 osciller sur le pendule entre figuration et abstraction, entre libert\u00e9 et mode. Quand est-ce qu&rsquo;une ligne sur le papier est une fronti\u00e8re et quand est-ce qu&rsquo;elle est un \u00e9l\u00e9ment d\u00e9coratif ?\u00a0\u00bb <\/em>(Kendell Geers)<\/p>\n\n\n\n<p>L&rsquo;exposition \u00ab\u00a0Borderline, entre une ligne et une fronti\u00e8re\u00a0\u00bb aborde les questions de la libert\u00e9 et de l&rsquo;abstraction.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"664\" src=\"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?resize=860%2C664&#038;ssl=1\" alt=\"\" class=\"wp-image-1316\" srcset=\"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?resize=1024%2C791&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?resize=518%2C400&amp;ssl=1 518w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?resize=150%2C116&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?resize=768%2C593&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/Axell-and-Cle-de-contact-jaune.jpg?w=1382&amp;ssl=1 1382w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><figcaption>Evelyne Axell devant \u00ab\u00a0Cl\u00e9 de contact jaune\u00a0\u00bb en 1967.<\/figcaption><\/figure>\n\n\n\n<p>Au d\u00e9but des ann\u00e9es 1970, l&rsquo;artiste belge Evelyne Axell a utilis\u00e9 la couleur et des formes apparemment d\u00e9coratives pour cr\u00e9er des peintures \u00e9rotiques \u00e0 forte connotation politique qui transcendaient les fronti\u00e8res de sa r\u00e9alit\u00e9 sociopolitique. L&rsquo;exposition retrace l&rsquo;histoire de l&rsquo;abstraction depuis Evelyne Axell jusqu&rsquo;\u00e0 des artistes comme Le Corbusier, Liu Dao, Heinrich Maria Davringhausen, Hadassah Emmerich, Kendell Geers, Michel Mouffe, Anne-Marie Schneider et Agnes Thurnauer. Les \u0153uvres d&rsquo;art parlent du corps et de la sensualit\u00e9, des limites sociales, des tabous et de leur transgression, d&rsquo;une mani\u00e8re qui invite le spectateur \u00e0 penser au-del\u00e0 des fronti\u00e8res traditionnelles de son contexte social, politique ou religieux.<\/p>\n\n\n\n<p><em>Kunstraum<br>Chemin des Pins 13<br>1180 Brussels Belgium<br><\/em>+32 2 550 10 13<br><a href=\"https:\/\/www.kunstraum.art\/events\">https:\/\/www.kunstraum.art\/events<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0BORDERLINE, BETWEEN A LINE AND A BORDER\u00a0\u00bb, une exposition r\u00e9unissant des artistes autour de l&rsquo;abstraction \u00e9rotique.\u00a0 Du 13 avril au 5 mai 2023. \u00ab\u00a0 L&rsquo;histoire de l&rsquo;abstraction est intrins\u00e8quement li\u00e9e \u00e0 la libert\u00e9 d&rsquo;expression. Chaque g\u00e9n\u00e9ration d&rsquo;artistes se retrouve in\u00e9vitablement <a class=\"more-link\" href=\"https:\/\/www.evelyne-axell.info\/fra\/2023\/04\/02\/evelyne-axell-au-kunstraum-duccle\/\">Lire la suite&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expo"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2023\/04\/IMAGE-KUNSTRAUM.jpeg?fit=799%2C387&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/1313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/comments?post=1313"}],"version-history":[{"count":3,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/1313\/revisions"}],"predecessor-version":[{"id":1321,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/1313\/revisions\/1321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/media\/1322"}],"wp:attachment":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/media?parent=1313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/categories?post=1313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/tags?post=1313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}