{"id":118,"date":"2009-10-01T13:42:10","date_gmt":"2009-10-01T12:42:10","guid":{"rendered":"http:\/\/www.evelyne-axell.com\/blog1\/?p=118"},"modified":"2015-08-03T19:28:49","modified_gmt":"2015-08-03T17:28:49","slug":"exposition-a-la-galerie-broadway-1602-a-new-york","status":"publish","type":"post","link":"https:\/\/www.evelyne-axell.info\/fra\/2009\/10\/01\/exposition-a-la-galerie-broadway-1602-a-new-york\/","title":{"rendered":"Exposition \u00e0 la galerie Broadway 1602 \u00e0 New York."},"content":{"rendered":"

\u2018Axell\u2019s Paradise: Last Works (1971-72) Before She Vanished\u2019<\/h3>\n

Du 3 octobre au 19 d\u00e9cembre 2009
\n<\/em><\/p>\n

Pour la premi\u00e8re fois aux Etats Unis, une s\u00e9lection des \u0153uvres d\u2019Evelyne Axell est pr\u00e9sent\u00e9e par la galerie new-yorkaise Broadway 1602.<\/p>\n

\"Broadway<\/p>\n

Sa directrice, la critique d\u2019art et ancienne conservatrice Anke Kempkes s\u2019est particuli\u00e8rement int\u00e9ress\u00e9e aux cr\u00e9ations des derni\u00e8res ann\u00e9es (1969-1972) de la trop courte vie d\u2019Evelyne Axell, des \u0153uvres principalement r\u00e9alis\u00e9es en \u00e9mail sur plexiglas parmi lesquelles se glisse tout de m\u00eame un dessin\u00a0; le portrait de la militante afro-am\u00e9ricaine Angela Davis.<\/p>\n

\"Broadway<\/p>\n

Galerie Broadway 1602<\/a>
\n1182 Broadway, Suite 1602
\nNew York, NY 10001<\/em><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018Axell\u2019s Paradise: Last Works (1971-72) Before She Vanished\u2019 Du 3 octobre au 19 d\u00e9cembre 2009 Pour la premi\u00e8re fois aux Etats Unis, une s\u00e9lection des \u0153uvres d\u2019Evelyne Axell est pr\u00e9sent\u00e9e par la galerie new-yorkaise Broadway 1602. Sa directrice, la critique Lire la suite…<\/a><\/p>\n","protected":false},"author":1,"featured_media":648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expo"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.evelyne-axell.info\/fra\/wp-content\/uploads\/2009\/10\/s_42Q7370-300x195.jpg?fit=300%2C195&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":3,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":884,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/posts\/118\/revisions\/884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/media\/648"}],"wp:attachment":[{"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.evelyne-axell.info\/fra\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}